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We’ve updated our Terms of Use. You can review the changes here.

RGMS End of Year Retrospective

by rgms

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1.
MOSS #3: Sein Blick 12:12
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2.
Dreamt and Dreamed 04:03
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3.
1iv8 (A Reworking of Erik Satie's Third Gymnopedie) 03:04
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4.
Wonderful Feedback 05:26
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5.
Scylla 05:48
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6.
you just missed him - edit 06:33
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7.
Transfiguratione - Pt. II 09:43
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8.
MOSS #2: Oceanographic 12:39
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9.
these memories are not my own 16:15
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about

The wilderness is gathering up all its children again, beckoning psyche become still as an iced over pond - a reflection before dawn.

With hardened soil and leafless trees, sounds of the winterscape reverberate in these freshly bare lands. Ears to the ground, we might catch a glimpse of the stirring Spring, mycelium matrices underneath, or even thoughts in a new light.

Before long the mild sun sets beyond frozen hills, making way for ethereal hosts. Looking out into the midwinter night one senses something - something metaphysical, subtly placed, layered beneath time...

...Here we are again, at the edge of the year, where death feeds into birth. A stillness permeates the landscape, seizing us - and if we are attentive, it invites us to turn inward.


RGMS not only commemorates its inaugural year, but also the vast and varied spirit of the season. From the yulefest toast with holy ale, to the unadorned aluminum Festivus pole - new threads of religious syncretism stir. To say the least, we recollect the beginnings of Rhineland Christmas firs, the spectral procession of Odin’s Wild Hunt, and the boreal spruce trees sprouting troops of Amanita Muscaria at their roots.

Cyclic workings would tend to escape us, yet present themselves in plain sight. Cyclic workings, which overlap and coil concurrently. Such cycles as the lunar phases and this month’s December Cold Moon, but even so on greater time scales, with the recent sightings of the ‘Christmas Star’ on the winter solstice, marking an 800-year cycle in the great conjunction of Jupiter and Saturn...and yet, a human lifetime is allotted, experienced in default view, alas, grasping just a bit further.

Among such a mindset, a practice, and a settling down for the passing of a momentous year, RGMS reflects on our work published and the work to come. We present a playlist featuring our selected works this year aimed to construct a new, cohesive experience. We invite you to listen with us, to start new conversations, and become a part of future endeavors.

Polaris, a guiding light, sits upon the sacred tree. Axis mundi, the world ash - center of the cosmos and the structure of the universe - turns again between the celestial poles. During this season such imagery surrounds us. We find it’s reference wherever we look. A reminder, in a way, that is seemingly mystifying and mundane altogether: we are of the same substratum that encompasses throughout, as far as light can reach. Our action in alignment with these ideals is a gesture of universal workings, and we can only hope that from these most sacred of months that we hold fast to these customs as a new year is borne, bathed in cyclic time. It is a cycle longing for a retrospective in the face of the immanent wheel. A cycle, which is nothing without reprise, yet desires to corkscrew towards some seeming linearity, first convolves in upon itself before springing forward into uncharted territories. As the RGMS coils, we hold our collective breath at such potential energy; here we are my friends, anticipating the daredevilish leap over the abyss, pilgrims on the vessel 2020 reaped, ready to sew new forms to prepare for any and everything. To 2021, and many years to come!

credits

released December 31, 2020

MOSS #3: Sein Blick by Iminah Amal-Hill
Dreamt and Dreamed by Patrick Jessop
1iv8 (A Reworking of Erik Satie's Third Gymnopedie) by Timo Pehkonen
Wonderful Feedback by Chris Chraca
Scylla by Davis Connors
you just missed him - edit by Sean Kiley and Davis Connors
Transfiguratione - Pt. II by Sean Kiley
MOSS #2: Oceanographic by Natalie Dzbik
these memories are not my own by James Layton

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rgms Chicago, Illinois

rgms, or the Rube Goldberg Machine of Semiotics and Symbols, is a curated collective of artists focusing on experimental releases.

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